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自从母亲死后，16岁的梅芙蒂和同父异母的兄弟姐妹们住在柏林，她富裕的父亲已经与另一个女人同居。然而梅芙蒂游戏人生：逃学，滥交，与人交恶，还因为结识奥菲利亚学会了吸毒，并与年长神秘的爱丽丝保持着一段关系。但是爱丽丝只是为了满足自己的需要，玩弄梅芙蒂的感情生活，留下梅芙蒂徒增伤悲。而自从她养了一只永远也长不大的蝾螈，她愈发对上学和身边的人失去了兴趣。
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
短片讲述了一个带着三个孩子的母亲，因为日常生活和丈夫陷入沮丧。而这时，她发现自己可以通过窗户看到住在对面邻居的生活...
科幻灾难大片《巨洪》讲述了在地球被大洪水淹没前的最后一天，对人类抱有最后一丝希望的人们在淹水的公寓楼里挣扎求生的故事。
问题来了[:a思考:]后宫出事你沈浪咋先知道了的[:a思考:][:a思考:][:a思考:]
唉，好无奈啊，最近看的几部漫画都在铺垫剧情，都还没到剧情爆点的部分
只梦里开作烂漫、--欣然化作我心上的蓬莱
要图吱一声
没法全用阅点也是没办法，平台腰斩了太多了高质量漫画了，我只希望这漫画别腰斩就行
木兰还是女主吗哈哈哈哈好久没出场了
妈妈，瑞瑞的领带换成黑色了
ai画的眼感觉有种美但是还有种说不出为什么的空洞
啊啊啊好美(˝ᗢ̈˝)抱图吱一声
“你吃着四五种药不能喝酒”钱错一股人夫感