杀手柔情

卡拉梦为了成为知名的网红，决定在自己的公寓里伪造一场闹鬼事件。然而令她没想到是，她的行为意外招来了不怀好意的东西。

　　故事发生在苏格兰一个名叫英维思的偏远宁静小镇。夜幕愈加浓重，年轻女警官瑞秋（Pollyanna McIntosh 饰）被闹钟唤醒，她有条不紊穿戴整齐，随后出门行走在空无一人的街道中央。在某个路口，瑞秋目击不远处站着一位老人，但随后老人被一辆飞驰而来的汽车撞到。瑞秋冲上前去，然而并未看到被撞之人，她只得将肇事者凯撒（布莱恩·沃纳 Brian Vernel 饰）扭送回警局，与麦克·瑞德警长（道格拉斯·罗素 Douglas Russell 饰）一同审问。稍后凯撒被关入牢房，而警局的同事也找到了那名神秘且一言不发的受伤老人。　　令人难以置信的是，老人似乎拥有直抵他人内心的能力，同时也让对方暴走疯狂，这注定是一个不平凡的夜晚……

　　17岁的女孩Gretchen（亨特·莎弗 Hunter Schafer 饰）被迫与家人一起搬到一个度假胜地，而那里并不像看上去的那样平静。

李红旗要办婚礼了！本想婚礼一切从简，但彪悍热心的丈母娘（林晓杰 饰）坚持做主想大操大办，李红旗不得不飞往海角，落地后却得知飞机邻座女孩昕昕（马千壹 饰）被人贩子拐走。面对凶残狡猾的犯罪团伙，李红旗与当地办案风格迥异的警察孙彪（崔志佳 饰）强强联手，在婚期逼近的倒计时中和人贩子头目秦叶蓉（黄米依 饰）及卖鱼佬（伍允龙 饰）展开殊死搏斗。婚礼筹备笑料百出，办案追凶惊心动魄——红旗不倒，正义不休假！看李红旗如何罪犯、幸福两手抓。

影片以一年四季为时间轴，讲述一个冰岛家庭在父母分居期间的生活。女主人公安娜是位视觉艺术家，刚失去工作室的她开始在户外创作。她的丈夫马格努斯是名渔夫，常年在海上作业，却拒绝接受婚姻已走到尽头的事实，不断回到曾经的家中。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.