可疑的同居

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　卡洛比安奇和多里亚诺是两个生活拮据的五十多岁男人，他们秉持着“绝不错过最后一杯酒”的人生哲学。在一次偶然的机会中，他们结识了朱利奥，一位性格内向、对人生感到迷茫的建筑学学生。这场看似不经意的邂逅，却逐渐演变成了一场穿越威尼斯平原的混乱公路旅行。　　在旅途中，糟糕的建议、宿醉的困扰以及意料之外的友情，不断挑战朱利奥对人生和爱情的原有计划。这场旅程不仅重新定义了他们彼此的生活，也让朱利奥开始重新思考自己的未来方向。

　　据日本警方统计，每年仅提交申请的失踪人口就达10万人，其中9万人的行踪可疑确认，但仍有1万人下落不明。位于远郊的一座深山丛林，似乎具有着强烈的魔性，无数人进入这里，从此消失无踪。少女茧（日南响子 饰）偶然和父亲目击一辆绑架了少女的车，父女俩一路追踪，走上了不归之途；家庭主妇真奈（桐島れいか 饰）十年前曾在林中丢失长女，如今他的小女儿阿樱离家上学后也一去不返；正在拍摄恐怖电影的新人女演员丽奈（飞鸟凛 饰）结束工作后，不得不穿越那座恐怖的森林，其中的景象与声音令她战栗不已；小女孩薰（藤本七海 饰）受托照顾邻家的孩子，可是她却遭遇了一个恐怖的人形。　　不同的人，不同的故事，同样的恐怖……

　　一名年轻美国女子被派往罗马、展开服侍教会的人生，却接触到了令她质疑信仰的黑暗力量，并揭露恶魔转世的可怕阴谋。