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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
猫吻:当你打开心扉的那一瞬间
失去妻子后,没有灵魂地生活的童话作家赵容熙。他只要去妻子画画的房间,就会出现过度呼吸的症状,很久没进过那个房间了。但是从某一天开始,那个房间里开始传来奇怪的声音。鼓起勇气打开房门的龙熙。妻子房间的天花板漏水,住着在仁偷偷藏起来的小猫。在仁拜托我养猫,雪上加霜的是,来修理天花板的木匠哈罗恩提议把闲置的房间变成猫的房间…龙熙究竟会做出什么选择?
超时空传输
未来世界能源枯竭,食物短缺。雷恩醒来,三名蒙面人将他和女友劫持,他奋力挣脱却从楼梯摔下。雷恩再次醒来,发现自己经历着同样的一天。他告诉女友汉娜,却发现汉娜和蒙面人是一伙的。雷恩才发现,他们都陷入了自己制造的ARQ能源机引发的时间循环中,而雷恩曾经效力过的Torus公司正要夺走这台机器。为了阻止Torus公司,雷恩和汉娜再次进入无限的循环...
心中的恶魔
1989年的寂静深夜,南哈特福特三名神职人员遭到屠杀。行凶者名叫玛莉娅·罗西(苏珊·克萝蕾 Suzan Crowley 饰),事后被诊断体内藏有七重人格。在此后的岁月里,她被带往意大利驱魔。时隔20年,玛莉娅的女儿伊莎贝拉·罗西(费尔南达·安德拉德 Fernanda Andrade 饰)决定拍摄一部关于母亲的纪录片,她启程前往罗马,见到了久违的母亲,而玛莉娅所说的话令她颇为震惊。为了探明母亲的病因,她在当地找到了两位瞒着教会偷偷进行驱魔的教士年轻驱魔师(赛门·克特曼 Simon Quarterman 与 伊凡·海慕特 Evan Helmuth 饰)。在他们的努力下,玛莉娅体内的魔鬼们渐渐显现出来…… 本片荣获2012年BMI电影与电视奖最佳电影配乐奖。
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观影评论
刚看的热血,怎么断了啊,啊,难受啊![:a生气:]最关键,打脸的一幕啊
一会田十三,一会十七,一会十九,这字幕没人审核吗?
看到那个玄凤蚌埠住了,那个是澳洲本土鸟,怎么在古代有呢
非常好看,目前来说是看过最好看的古代漫画,在小说里也算是独树一档的存在
没法全用阅点也是没办法,平台腰斩了太多了高质量漫画了,我只希望这漫画别腰斩就行
國君有什麼好哭?原本你連六七個時辰的命都沒有,現在還有六七年才病發[:a狗头:]
这个封面真哒!!!!好好康!!!死这了……~
沈浪:虽然我弱鸡,但是我帅啊!还有几个漂亮老婆呢!你们有吗?[:a狗头:]