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大佛回国
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
阴阳镜
宋真宗晚年,青春年少的包拯和好友公孙策,一同破获一起尘封多年冤案。女主角月亮十多年前,全家被奸人所害,为了翻案,打听到传闻中阴阳镜能断是非真假,于是去墓地盗取,结果触碰机关导致展昭被困,为了将其解救,必须破解地穴里的各种机关算术。一筹莫展的月亮刚好遇到聪慧过人的包拯,巧设伎俩利用鬼怪传说,想引包拯去地穴救展昭。但包拯心中秉持正义、公平,从不相信鬼怪传说,救出展昭后,月亮拿到阴阳镜后,坦白自己一家遭奸人所害的事实,凶手还在逍遥法外。为了翻案包拯,利用阴阳镜的传说,使得案件重演,凶手心绪恐惧坦白从宽,认罪伏法。从此,年少的包拯一举成名,所代表的公平、公正和正义的形象,慢慢被民众熟知,被民众所拥戴。
精灵宝可梦:决战时空之塔帝牙卢卡VS帕路奇犽VS达克莱伊
持续在世界各地进行修业之旅的小智(松本梨香 配音)、小刚(うえだゆうじ 配音)和小光(豊口めぐみ 配音),历经长途跋涉终于来到了位于山谷丘陵处的目的地阿拉莫斯镇。小镇上耸立着象征时间与空间的时光之塔,新一轮的神奇宝贝竞赛将在塔的下方举行。小智一行走错了路,却由此结识当地的美丽女孩艾丽丝(加藤ローサ 配音)。紧张的战斗与快乐的游玩,却未察觉危险正悄悄逼进。小智遭到噩梦精灵达库莱伊的袭击,虽然达库莱伊被当地所有人讨厌,但是它似乎想将某种危险、恐怖的信息及时传给小智一行,关于时空之塔的秘密即将揭开…… 本片为神奇宝贝系列第十部电影剧场版。
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观影评论
看过原著的跟我说一下,沈浪是不是也是无血脉者
眼睛最亮的时候是你最相信他的时候
烧鸟吗?有点儿意思[:a狗头:][:a狗头:][:a狗头:]
其实差不多,数学确实是天赋占比极大的一科[:a狗头:]
友友们,氦气自杀的方法我试了(有医护人员陪同,只吸了一分钟)不要模仿,有窒息感,很难受
随手画俩雀雀,应该还可以吧……?
如果雨总知道他撕的那个地方掉在水里了会怎么样?
话说好像挺久没发福利了。老婆不在,二老婆也大肚子,但公主最近也没纠缠沈浪耶