天使的性

 故事围绕一对姐弟 Vira 与 Dino 展开；在父母离异后，他们与母亲共同生活，却发现母亲逐渐“变了”。母亲痴迷使用所谓的 “ajian” 和 “rajah”（护身符或咒语）为生意带来好运，却渐渐伴随着奇怪的暴力行为与精神崩溃

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

 当求生变成猎杀，谁会是最终的幸存者？两名同事在飞机失事后，成为唯一幸存者并困在荒岛上。他们必须放下过往恩怨、共同求生，但最终演变成一场不安又黑色幽默的意志与智慧对决……

大革族四大勇士之元泰、勇士昆布倒戈卖国投降，元泰引西暌族和南离皇族联军攻革，大革族族皇自杀身亡！蔡八儿提着七孔刀逃亡，在山林里救了被狼群养大的小男孩，蔡八儿为小男孩取名祖澈，蔡八儿和祖澈隐居十五年后，祖澈长练得一手好刀法，光复大革国。

一个害羞的大学生和他鲁莽的室友开始了一个简单的任务去拿披萨，但在服用了一剂奇怪的令人心智的实验药物后，他们陷入了一个混乱的夜晚，荒谬的遭遇、疯狂的幻觉和意外的启示，这些启示可能会永远改变他们的生活。

 她是一位国标舞者，却在重大赛事的紧要关头遭遇危机，幸好有位街头舞者挺身而出，不顾自身过往的伤痛，担任她的出赛舞伴。