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棉花软糖
在一个与世隔绝的夏令营里，胆小又内向的12岁男孩摩根陷入了一场噩梦之中——曾经被当作传说的一个篝火故事竟变成了现实。摩根和他新结识的朋友们必须踏上一段危险重重的旅程，并揭开隐藏在表象之下的邪恶真相。
苍雪麒麟
百年前万灵古城遭黑水军团操控的麒麟居戮，女王妙清封印麒麟后难产离世。百年后，其遗孤苍雪貌丑家贫，在忠义堂备受排挤，暗恋陌千禾，机缘下救了龙族皇子诺，获三个愿望。随着假公主阴谋、麒麟解封，古城再起危机，苍雪在蜕变中揭开身世，携手伙伴对抗幕后黑手，拯救古城。
多莉
玛西，一位年轻女子，被一个面目狰狞的怪物掳走，这个怪物一心要把她当作自己的孩子抚养长大。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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卡门·毛拉,玛尔塔·埃图拉,艾哈迈德·布拉内,玛利亚·阿尔方萨·罗索,米格尔·加尔塞斯,拉·伊门
平场之月
堺雅人,井川遥,坂元爱登,一色香澄,中村友理,绪方义博,吉濑美智子,大森南朋,成田凌,仓悠贵
灵幻夹克
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巴里·林登
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名侦探柯南：独眼的残像
高山南,山崎和佳奈,小山力也,速水奖,高田裕司,小清水亚美,草尾毅,飞田展男,高木涉,汤屋敦子,茶风林,岸野幸正,绿川光,山田孝之,山下美月
观影评论
哈～这漫画冷门咪！刀子好多
原來聞腳底板可以知道血脈我覺得一年不洗腳讓作者幫我檢測血脈[:a笑哭:]
能不能弄个长篇大作啊，看不过瘾啊
以防万一，先截屏发这，有心人可以把我顶上去[:a滑稽:]
本来想投月票的，看到这小人卖惨还是算了[:rumuzhichenbq|我裂开了:]
下棋，下个P，棋盘都给你掀了
这一笔钱可真是得来全不费功夫，不仅没有一点损失，反而还赚了，浪爷，你可真牛逼
苏氏前面不是被灭族了后面怎么又有苏氏