窥视

大革族四大勇士之元泰、勇士昆布倒戈卖国投降，元泰引西暌族和南离皇族联军攻革，大革族族皇自杀身亡！蔡八儿提着七孔刀逃亡，在山林里救了被狼群养大的小男孩，蔡八儿为小男孩取名祖澈，蔡八儿和祖澈隐居十五年后，祖澈长练得一手好刀法，光复大革国。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

an experimental work by the Negu Collective, all of them former students of the ESCAC in Barcelona.