妈妈和女儿的性爱减肥法

　　乱步作品

　　一个外星人家庭在不幸意外地被美国探测太空船携回地球，他们在一阵混乱中冲出太空总署逃向沙漠，但小外星人麦克与家人失散，溜上了不良于行的艾瑞克家人的旅行车而跟著车到了内华达州。麦克在一次意外事件中救了艾瑞克之后，与艾瑞克兄弟和邻居女童黛比等人结为好友，并要求他们协助搜救在沙漠中垂死的家人。艾瑞克一行人终于在麦克的指引下找到他的家人并带他们回家，却不意在超级市场中造成骚动，警方及尾随而来的科学家们企图抓住他们而引发了冲击…

这是三部曲的最后一部，故事围绕着将自己奉献给撒旦的妓女展开。这部影片的内容是极端而黑暗的，令人作呕的情节屡屡出现，充斥着暴力，性，裸体，体液！一群女孩子和一个男人抠喉咙催吐，然后吃掉呕吐物，再吐出来……

 麦克（斯蒂芬·多尔夫 Stephen Dorff 饰）是一名心怀大志的警探，最近，一宗连环杀人案件吸引了他的注意，已经有四人成为了残酷凶手刀下的猎物。在搭档泰瑞（娜塔莎· 麦克艾霍恩 Natascha McElhone 饰）的帮助下，麦克开始了对案件的调查。随着调查的深入，一个惊悚的网站逐渐浮出水面，四名受害者在死前48小时都登陆过这个网站，在一个代号为“黑寡妇”的神秘女人的支配下，他们似乎用生命做赌注加入了一场游戏。为了查明真相，麦克决定以身试险，他登入了网站，与此同时，他生命的最后48小时开始了倒数，麦克必须在此时限内将真凶绳之于法，否则，他的结局会和先前的那四个人一模一样。

　　墨彩宁（张善南 饰）是一名普通的高中学生，因为班主任（王天宇 饰）就是自家小姨，所以自己的一举一动都逃不过小姨的法眼，平日只好伪装成乖乖学生，但本质上却是一个不折不扣的追星达人。转校生顾天琦（李明源 饰）的到来让她本来平静的生活发生了巨大转变，她发现这位引人注目的同桌竟是偶像顾云凡（区天瑞 饰）的亲弟弟，在顾天琦的嘱咐下，墨彩宁答应保守住这个秘密。可特殊身份的消息还是不胫而走，也因此与闺蜜张公主（郭素洁 饰）产生了误会，为了能让张公主不再难过、顾天琦不再转学，墨彩宁与同学袁迟（范云飞 饰）、同学童辉（李炎峰 饰）等人团结一心解决了困扰。在相处中，墨彩宁决心要成为像顾天琦一样优秀的人。转眼到了寒假，在盛大的烟花下大家树立了各自的人生目标，带着珍贵的友谊走向憧憬的未来……

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.