搜身

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　王元娥（苑乔 饰）一直以来都深深的爱慕着名为陈喆的男生，可是，王元娥知道自己非常的普通，和在校园里闪耀着耀眼光芒的陈喆相去甚远，所以选择将这份感情深深的埋藏在心底。单求胥的父亲将儿子送进了王元娥和陈喆所在的班级之中，单求胥的目的很简单，那就是混到顺利毕业，然后出国追求自己的自由自在的人生。　　一次偶然之中，王元娥和单求胥之间爆发了争吵，但也正因为如此，单求胥得以走进了王元娥的内心，发现了她单纯善良的一面，并为此深深着迷。可是，王元娥的全部心思都挂在了陈喆的身上，这让单求胥非常的苦恼。

　　根据约瑟夫和丽贝卡·鲍在普拉佐集中营的婚礼被斯皮尔伯格的辛德勒名单纪念的真实故事改编。Bau，《战争中的艺术家》是一部战争剧/爱情故事/间谍故事，在这个幸存者正在死亡、大屠杀正在从记忆中消失的时代需要讲述。约瑟夫在营地里运用他的艺术技巧，活了下来，帮助数百人逃走。奇迹般地，他在绝望中找到了爱。一种将持续一生的爱。几年后，当他被传唤为残酷的纳粹军官受审的关键证人时，他被重新带回了大屠杀的生动记忆中。纳粹军官折磨了他并杀害了他的父亲。现在，他呼吁这种爱和精神的韧性来面对他过去的终极恶魔。

　　1988 年，心怀侦探梦想的费城警官托马斯·洛克哈特（波伊德·霍布鲁克饰演）开始追踪一名连环杀手，此人每隔 9 年就神秘地出现一次。但是当杀手的罪行开始违背所有的科学解释时，洛克对真相的痴迷可能会毁掉他的事业、家庭，甚至是他的心智。《月影杀痕》是一部混合题材的心理惊悚片，探讨了时间的力量，以及时间的流逝如何使我们相聚又分开。该片由吉姆·米可执导，其他主演包括迈克尔·C·豪尔和克利欧佩特拉·科尔曼。