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惠子和丈夫浩二跟患有失智症的母親三人同住，夫妻倆為了擺脫照顧失智母親這個大麻煩，於是狠下心決定棄養母親。兩人將母親丟在公園的廁所後火速離去。而這過程剛好被路過的男子清水看在眼裡，上完廁所後的母親將清水誤認成自己的兒子，於是便跟著清水回到他家。清水家中有一位年輕貌美的妻子真紀，當她看到丈夫帶了個陌生老婆婆回家，自然非常生氣，但最後仍把老婆婆留在家裡照顧。然而，此時的清水夫妻倆正面臨了一個非常棘手的難題……
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
小女孩Aurora(Sloan)去寻求邻居(米科尔森)的帮助：她相信家人被住在自己床底下的一个妖怪吃掉了，而这个邻居恰巧是训练有素的杀手，并且确信Aurora的父母是被一群来杀自己的人给误杀，于是，杀手的第一要务变成了保护小女孩的安全，两人一起上路，并肩面对自身的恶魔。
沙发帝国继承人Checco，过着奢华却空虚的生活。在50岁生日前夕，他发现叛逆的女儿Cristal失踪了，只留下一张指向圣地亚哥朝圣之路的纸条。为了找到女儿，Checco被迫放弃豪车豪宅，背上背包踏上艰苦的徒步之旅。在朝圣之路上，他脚起水泡、遭遇各种意外，遇到了形形色色的朝圣者，逐渐理解了女儿的想法，重新认识了亲情与人生。
🍅你有毒啊，没事投什么阴间广告，刚看完cp发糖下一秒就被吓一跳
后面开始就是华佗的基因改造疗法了，1000私军全是超级赛亚人
我勒个豆包ai生成啊，你好歹把水印扣干净吧
好不容易心动一次，你却让我输得这么彻底。🌿
我承认了，广州第一肾虚男就是我，我需要来一管这样的黄金血脉
在绝对的武力面前民意也会变的
我还以为那个陈挽可以跟他聊天呢！
为啥我可以截屏呀？
所以弟弟永远不会知道姐姐有多美丽，从小到大看的都是天下第一美女的姐姐居然对祝柠这样的姿色惊为天人
天赋哪儿有开挂重要[:a狗头:][:a狗头:][:a狗头:]