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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
八百里关中平原,一起商贩和果农的收购冲突事件,促使两个在外打拼的年轻人走在了一起,是素未蒙面的陌生人也是创业合作的欢喜冤家。在互联网电商直播的浪潮下,他们和心怀希望的村民们擦出了神奇的火花,一起开启了一段疯狂的尝试与冒险,踏上了共同致富的曼妙旅程。
故事发生在小嗝嗝与没牙仔分开的五年之后,博克岛一年一度的亲衣节又到了,然而随着小嗝嗝的孩子们的长大,对龙与人曾经那段真挚而深刻的友谊只能通过父母的言语来了解,不免产生了质疑,小嗝嗝为防止孩子们对龙的误解,又能想出怎样的妙招呢?
弱不禁风的男子Colin(哈利·米尔林 Harry Melling 饰)遇上英俊无比的摩托车俱乐部首领Ray(亚历山大·斯卡斯加德 Alexander Skarsgård 饰),Ray将Colin收为他的submissive,并带他走近一群古怪的酷儿摩托车手,过程中各种收割童贞。但随着Colin深入Ray的那个充满规则和神秘的世界,他开始质疑自己是否真正适合这种当全天候submissive的生活。他是真的找到了自己的使命,还是仅仅用一种“窒息”的人生换了另一种?
太恐怖了,但我自着那张脸看了好几遍
拿图的吱一声
其实没戏,这人说喜欢才华,然后被金木聪折服以后还是觉得自己是个颜控
很好看,对吧
对啊,感觉太突兀了,并没有一体的美感。反正看了这么多coser,真没觉得有顺眼的[:a无奈:]
两个多月了……
桌上的饭菜有问题吧?还是房内点的安神的香?