Biyak

　　1997年，亚洲金融危机如同暴风雨一般席卷各国，公司倒闭已成寻常，老板富贾逃亡自杀，普通民众的生活愈加困苦。富家女孩布姆（Thunyaphat Pattarateerachaicharoen 饰）父亲所盖的大楼最终烂尾，遭到父亲家暴后，万念俱灰的布姆和伊布（Panisara Rikulsurakan 饰）相约自杀。阴差阳错，贝尔去往另一个世界，布姆则苟活人间。　　时光流转，20年后的布姆（楠迪·宗拉维蒙 Namthip Jongrachatawiboon 饰）已成为小有名气的房地产企业家。某天，她带着女儿贝尔（安比查雅•松可寒 Apichaya Thongkham 饰）再次来到当年和朋友自杀的烂尾楼。顽皮的贝尔四处游荡，捡到了母亲当初和伊布沟通的BP机。殊不知，一个孤独的灵魂已在此等候多年，只为了践行未完的承诺……

　　演员龟冈拓次（安田显），37岁、单身。作为演员，无论是配角还是什么角色都能出色演出，但是，人们却怎么也记住不到他的名字。每一天的日常就是便宜的酒馆里喝酒。直到有一天，收到了世界大物的甄选……

　　摄影师丽莎突然失踪。最后的线索指向她拍摄过的七个足球场——它们散落在格鲁吉亚七个偏远村庄。父亲伊拉克利踏遍这些球场寻女，丽莎的挚友、如幽灵般的列瓦尼悄然加入搜寻。每当球场更迭，相遇的村民与他们的故事便如走马灯般轮转。看似荒诞的旅程里暗涌渐起：每踏过一片坑洼的草场，每穿过 一座寂静村庄，找到丽莎的希望便如晨雾般日渐稀薄。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　为纪念苏联卫国战争30周年，前苏联莫斯科电影制片厂于1970—1972年，拍摄了一部堪称前苏联电影史上耗资最巨、规模最大、场面最为壮观的战争题材影片———《解放》。影片从1943年苏联红军反攻（库尔斯克战役）开始，到强渡涅伯河，解放基辅，最后攻克柏林。分为五集，片长将近8个小时。导演尤里·奥泽洛夫为强调“纪实性”、“史诗性”，在影片中穿插了大量的真实历史文献镜头。影片还出现了不少历史人物，如斯大林、朱可夫、罗斯福、丘吉尔、希特勒、墨索里尼等。此外，影片还蕴涵丰富感人的故事情节，从苏、德两军统帅到普通士兵，从苏军反攻到德军覆没，成功地表现了一种攻无不克、战无不胜的革命乐观主义精神。

一对出现感情危机的情侣，奔赴荒山深处的度假屋，展开浪漫之旅。然而各怀心事的两人彼此设计，意外被卷入一场绑架与追杀。荒山夜逃、冰湖惊魂，在绝境的生死考验中，他们被迫携手同行，危机四伏间，爱与信任被重新唤醒，二人终于明白相守的意义。