若叶学院:樱桃男孩
落日光影 · 温暖呈现
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黄金时刻精选
复仇双雄
奥马尔·查帕罗,亚利桑德罗·斯佩特泽尔,葆拉·努涅斯,娜塔莉亚·索利安,路易斯·阿伯提,Vasil Simeonov,伊阿祖娅·拉里奥斯,Lizeth Selene,古斯塔沃·桑切斯·帕拉,Ana Carrillo,Gaudi Chris,José Salof
勇者斗恶龙 你的故事
佐藤健,有村架纯,波瑠,坂口健太郎,山田孝之,小林剑道,安田显,古田新太,松尾铃木,山寺宏一,井浦新,贺来千香子,吉田钢太郎
于特岛7月22日
安德烈·伯恩森,亚历山德·霍尔门,布瑞德·福里斯达,艾丽·瑞亚侬·穆勒·奥斯本,苏陆士·萨达特,马格努斯·莫恩,张特兰
多浪迪总统
卡洛斯·阿雷塞斯,加维诺·迭戈,费尔南多·艾斯特索
暮色之选
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
爆弹
山田裕贵,伊藤沙莉,染谷将太,渡部笃郎,佐藤二朗
一个神秘中年男子醉酒后袭击了一台自动售货机和便利店店员,被警方拘留。他声称自己拥有超能力,并预测东京将有炸弹。从秋叶原爆炸事件算起,他预测接下来还会有三次爆炸,间隔一小时。随后,他一边回避着警察的询问,一边问一些有关炸弹的神秘“问题”。
寻爱之旅
麦克·辛,马克·阿蒂,吉姆·卡特,马克·斯特朗
熱愛射飛鏢的柯林看店為業,為了贏回紅杏出牆的妻子芳心,他跳脫常軌,離開熟悉的故鄉,橫越全國。當他經過美麗的高山地區,來到碎石嶙嶙的黑池時,連著遇到一些人和事,改變了他的新生活。是一部好笑又非常人性的影片。
超愛了,這畫風
谁还记得雨总前面的话
很想看看咸奴减肥成功的样子[:swbq|超级喜欢:]
雨总好不容易笑一次,不让我截图
怎么说也是当时宰相的人怎么会和那群傻子一样
是不是截不了这张图,快谢谢我
白夜城,掩人耳目,地基建房,厚积薄发。[:a滑稽:]
出海以后我感觉画风突变了
我不关心凶嫌三选一,我只是来磕糖的🍭看错错和瑞瑞甜甜甜甜甜甜甜甜甜甜
晚睡的孩子有糖吃